Jaime Lieberman’s photographs start from the still-life genre to give it a contemporary reinterpretation. The genre is renewed from within and what communicates this divergence with respect to tradition is not so much the layout of the photograph but its content. Indeed, the works in the series acquire meaning in relation to their title, which makes it possible to understand the sense of what, at first glance, may seem to be an accumulation of unrelated objects.
The colours are of crucial importance and play a leading role, thanks to their ability to attract the attention of external eyes, facilitated by the neutrality of the background. The artist’s touch of madness is unleashed with the delicate flair of one who wants to astonish, inspired by tradition that is reinvented and conceived for a new and attentive audience that must be conquered and drawn in.