Trabucco 2

  • Karim Carella
  • 2012
  • Inv. No. 284.16.09
  • Edition 30 + 2 AP
  • Categories: Paesaggio, Acqua
Size S
50x50cm Dimensions
Digital Print on Fuji paper DP II Technique
Americana Frame Mounting

The trabucco (an old fishing machine) portrayed in this image, along side with the panhandle where it is built, loses any concrete connotation. What appears to the viewers is some sort of abstract construction that, albeit it shows some real features, it is nonetheless engulfed by the sky and the sea, by the white and grey that surround the ground and the buildings. A dreamlike dimension dominates the shot, a shot that tells the story of a forsaken place, that is immersed in a calm atmosphere that would be otherwise unreachable.
The artist fell in love with photography when he was child and used to play with his father’s Hasselblad, a Swedishhigh-quality camera. For a long time, photography has been Carella’s main hobby but in 2008, as he was about to visit Canada, he decided to turn his passion into his job: he bought all the necessary equipment and, as a self-learned photographer, started to study the technique and landscape photography. He took his inspiration from the great old masters and developed a very personal style, his trademarks being the square format and the black and white. He explored several styles and genres, getting as far as to experiment macro photography and a more “narrative” style. His series depict desert and boundless places, which can be recognized but not put on a map, in order to pick fragments of realities that can’t be set neither in time nor space. This is particularly true in the case of Effimeri (2010), Lifeblood (20122) and Rocks in the clouds (2012), which are set in a dreamlike dimension and feature minimalist shapes and open spaces. Thanks to his studies and his passion, Carella soon got recognized by the critics and, from 2011, had his works displayed in several exhibitions: he participated in Omaggio a Giorgio Morandi at Wikiarte in Bologna; he exhibited his Assolo at Spazio Raw and at the MIA Art Fair, both in Milan.